people, for a time he was satisfied. He painted studies from nature under the guidance of an Italian professor of painting, and studied mediaeval Italian life. Mediaeval Italian life so fascinated Vronsky that he even wore a hat and flung a cloak over his shoulder in the mediaeval style, which, indeed, was extremely becoming to him.

“Here we live, and know nothing of what’s going on,” Vronsky said to Golenishtchev as he came to see him one morning. “Have you seen Mihailov’s picture?” he said, handing him a Russian gazette he had received that morning, and pointing to an article on a Russian artist, living in the very same town, and just finishing a picture which had long been talked about, and had been bought beforehand. The article reproached the government and the academy for letting