there is in the fact that men are superficial. It is their preservative instinct which teaches them to be flighty, lightsome, and false. Here and there one finds a passionate and exaggerated adoration of “pure forms” in philosophers as well as in artists: it is not to be doubted that whoever has NEED of the cult of the superficial to that extent, has at one time or another made an unlucky dive BENEATH it. Perhaps there is even an order of rank with respect to those burnt children, the born artists who find the enjoyment of life only in trying to FALSIFY its image (as if taking wearisome revenge on it), one might guess to what degree life has disgusted them, by the extent to which they wish to see its image falsified, attenuated, ultrified, and deified, — one might reckon the homines religiosi among the artists, as their HIGHEST rank.