They will smile, those rigorous spirits, when any one says in their presence “That thought elevates me, why should it not be true?” or “That work enchants me, why should it not be beautiful?” or “That artist enlarges me, why should he not be great?” Perhaps they will not only have a smile, but a genuine disgust for all that is thus rapturous, idealistic, feminine, and hermaphroditic, and if any one could look into their inmost hearts, he would not easily find therein the intention to reconcile “Christian sentiments” with “antique taste,” or even with “modern parliamentarism” (the kind of reconciliation necessarily found even among philosophers in our very uncertain and consequently very conciliatory century). Critical discipline, and every habit that conduces to purity and