In days gone by there used to run about the seignorial courtyard of the country-house at Chabarovska a girl called Natashka. She always wore a cotton dress, went barefooted, and was rosy, plump, and gay. It was at the request and entreaties of her father, the clarionet player Savi, that my grandfather had “taken her upstairs” — that is to say, made her one of his wife’s female servants. As chamber-maid, Natashka so distinguished herself by her zeal and amiable temper that when Mamma arrived as a baby and required a nurse Natashka was honoured with the charge of her. In this new office the girl earned still further praises and rewards for her activity, trustworthiness, and devotion to her young mistress.

Soon, however, the powdered head and buckled shoes of the young and active footman Foka (who