rude carvings, were well enough, but that was the stopping place. There was no soap, no matches, no looking-glass — except a metal one, about as powerful as a pail of water. And not a chromo. I had been used to chromos for years, and I saw now that without my suspecting it a passion for art had got worked into the fabric of my being, and was become a part of me.

It made me homesick to look around over this proud and gaudy but heartless barrenness and remember that in our house in East Hartford, all unpretending as it was, you couldn’t go into a room but you would find an insurance-chromo, or at least a three-color God-Bless-Our-Home over the door; and in the parlor we had nine.

But here, even in my grand room of state, there wasn’t anything in the nature of a picture