transcendent but in conformity with law to bring about such an effort of the Imagination, and consequently here there is the same amount of attraction as there was of repulsion for the mere Sensibility.

But the judgement itself always remains in this case only aesthetical, because — without having any determinate concept of the Object at its basis — it merely represents the subjective play of the mental powers (Imagination and Reason) as harmonious through their very contrast. For just as Imagination and Understanding, in judging of the Beautiful, generate a subjective purposiveness of the mental powers by means of their harmony, so [here] Imagination and Reason do so by means of their conflict. That is, they bring about a feeling that we possess pure self-subsistent Reason, or a