Of the Idealism of the purposiveness of both Nature and Art as the unique principle of the aesthetical Judgement

To begin with, we can either place the principle of taste in the fact that it always judges in accordance with grounds which are empirical and therefore are only given a posteriori by sense, or concede that it judges on a priori grounds. The former would be the empiricism of the Critique of Taste; the latter its rationalism. According to the former the Object of our satisfaction would not differ from the pleasant; according to the latter, if the judgement rests on definite concepts, it would not differ from the good.

Thus all beauty would be banished from the world, and only a particular name, expressing perhaps a