gone!’

‘Gone!’

‘Em’ly’s run away! Oh, Mas’r Davy, think HOW she’s run away, when I pray my good and gracious God to kill her (her that is so dear above all things) sooner than let her come to ruin and disgrace!’

The face he turned up to the troubled sky, the quivering of his clasped hands, the agony of his figure, remain associated with the lonely waste, in my remembrance, to this hour.

It is always night there, and he is the only object in the scene.

‘You’re a scholar,’ he said, hurriedly, ‘and know what’s right and best. What am I to say, indoors? How am I ever to break it to him, Mas’r Davy?’