first floor; he paused in order to ring. Olivain appeared, took his sword and cloak from his hands; Raoul himself opened the door which, from the ante-chamber, led into a small salon, richly furnished enough for thesalon of a young man, and completely filled with flowers by Olivain, who, knowing his master’s tastes, had shown himself studiously attentive in gratifying them, without caring whether his master perceived his attention or not. There was a portrait of La Valliere in the salon, which had been drawn by herself and given by her to Raoul. This portrait, fastened above a large easy chair covered with dark colored damask, was the first point towards which Raoul bent his steps — the first object on which he fixed his eyes.

It was, moreover, Raoul’s usual habit to do so; every time he entered his