else it had not been Zenobia. After a brief pause at the window, she turned away, exemplifying, in the few steps that removed her out of sight, that noble and beautiful motion which characterized her as much as any other personal charm.

Not one woman in a thousand could move so admirably as Zenobia. Many women can sit gracefully; some can stand gracefully; and a few, perhaps, can assume a series of graceful positions. But natural movement is the result and expression of the whole being, and cannot be well and nobly performed unless responsive to something in the character. I often used to think that music — light and airy, wild and passionate, or the full harmony of stately marches, in accordance with her varying mood — should have attended Zenobia’s footsteps.