cerebration. No, he had accomplished but little during the last few months — at least, by way of creative literature. So he replied that he had made money. “That is something,” he said. “Besides, who can turn out a masterpiece every week? An artist’s brain is not a machine, and in the respite from creative work I have gathered strength for the future. But,” he added, slightly annoyed, “you are not listening.”

His exclamation brought her back from the train of thoughts that his words had suggested. For in his reasoning she had recognised thesame arguments that she had hourly repeated to herself in defence of her inactivity when she was living under the baneful influence of Reginald Clarke. Yes, baneful; for the first time she dared to confess it to herself. In a flash the