The Little Lady of The Big House by Jack London Chapter 2 Page 5

pergolas in proportion, and all the walls, with their many right-angled juts and recessions, arose out of a bed of greenery and bloom.

Spanish in character, the architecture of the Big House was not of the California-Spanish type which had been introduced by way of Mexico a hundred years before, and which had been modified by modern architects to the California-Spanish architecture of the day. Hispano-Moresque more technically classified the Big House in all its hybridness, although there were experts who heatedly quarreled with the term.

Spaciousness without austerity and beauty without ostentation were the fundamental impressions the Big House gave. Its lines, long and horizontal, broken only by lines that were vertical and by the lines of juts and recesses that were always