genius, was putting the last finishing touches with his rapid brush.

It was the portrait of the king, whom they were expecting, dressed in the court suit which Percerin had condescended to show beforehand to the bishop of Vannes. Fouquet placed himself before this portrait, which seemed to live, as one might say, in the cool freshness of its flesh, and in its warmth of color. He gazed upon it long and fixedly, estimated the prodigious labor that had been bestowed upon it, and, not being able to find any recompense sufficiently great for this Herculean effort, he passed his arm round the painter’s neck and embraced him. The surintendant, by this action, had utterly ruined a suit of clothes worth a thousand pistoles, but he had satisfied, more than satisfied, Lebrun. It was a happy moment for the artist; it was an unhappy moment for M.