Nevertheless charms are often not only taken account of in the case of beauty (which properly speaking ought merely to be concerned with form) as contributory to the aesthetical universal satisfaction; but they are passed off as in themselves beauties, and thus the matter of satisfaction is substituted for the form. This misconception, however, like so many others which have something true at their basis, may be removed by a careful definition of these concepts.

A judgement of taste on which charm and emotion have no influence (although they may be bound up with the satisfaction in the beautiful), — which therefore has as its determining ground merely the purposiveness of the form, — is a pure judgement of taste.