Critique of Judgement by Immanuel Kant Chapter 32 Page 3

at all, and is in general not a cognitive but an aesthetical judgement.

Thus a young poet does not permit himself to be dissuaded from his conviction that his poem is beautiful, by the judgement of the public or of his friends; and if he gives ear to them he does so, not because he now judges differently, but because, although (in regard to him) the whole public has false taste, in his desire for applause he finds reason for accommodating himself to the common error (even against his judgement). It is only at a later time, when his Judgement has been sharpened by exercise, that he voluntarily departs from his former judgements; just as he proceeds with those of his judgements which rest upon Reason. Taste [merely] claims autonomy. To make the judgements of others the determining grounds of his own would be heteronomy.