form. Under painting in the wide sense I would reckon the decoration of rooms by the aid of tapestry, bric-a-brac, and all beautiful furniture which is merely available to be looked at; and the same may be said of the art of tasteful dressing (with rings, snuff-boxes, etc.).

For a bed of various flowers, a room filled with various ornaments (including under this head even ladies’ finery), make at a f�te a kind of picture; which, like pictures properly so-called (that are not intended to teach either history or natural science), has in view merely the entertainment of the Imagination in free play with Ideas, and the occupation of the aesthetical Judgement without any definite purpose. The detailed work in all this decoration may be quite distinct in the different cases and may