attribute to it any objective validity, but rather to present it merely as a form subjectively unavoidable, does not free him from the arbitrariness with which he constructs it, even though he only claims its necessity for human consciousness. His fabric rests, as we have seen, on a tissue of baseless assumptions.

So much, then, is certain. The entire imagery — that of a judicial drama — whereby Kant depicts conscience is wholly unessential and in no way peculiar to it; although he keeps this figure, as if it were proper to the subject, right through to the end, in order finally to deduce certain conclusions from it. As a matter of fact it is a sufficiently common form, which our thoughts easily take when we consider any circumstance of real life. It is due for the most part to the conflict of opposing motives