“Humph! that which you hold in your hand is pretty; will you allow me to look at it?”

“Certainly,” said the poet, who appeared to have yielded too soon to a first impulse. “Certainly, you may look at it: but it will be in vain for you to look at it,” added he, with a satisfied air; “if I were not to tell you its use, you would never guess it.”

D’Artagnan had seized as an avowal the hesitation of the poet, and his eagerness to conceal the piece of brass which a first movement had induced him to take out of his pocket. His attention, therefore, once awakened on this point, he surrounded himself with a circumspection which gave him a superiority on all occasions. Besides, whatever M. Jupenet might say about it, by a simple inspection of