her brooding eyes flashed and fastened upon a priceless Rembrandt “Laughing Cavalier” on the wall opposite; they flashed again when her gaze shifted to a colossal Rubens “Rape of the Sabines”; her face lighted for an instant when her fingers in groping closed upon a cobwebby golden net, scintillating with cunningly wrought jeweled insects caught in the meshes, which had once graced the all-powerful head of Pompadour.

“Where such things are, are better!” she whispered vehemently, clenching her strong, slender hands fiercely. “Where such are fashioned and worn there are people worthy my power. My people! Pah!” she burst out passionately. “My people? Dogs! Cattle! Brutes without souls! There — ” she flung a hand impetuously toward the “Laughing