Was he more convinced of the esthetic value of the spectacle?

Indubitably in consequence of the reiterated examples of poets in the delirium of the frenzy of attachment or in the abasement of rejection invoking ardent sympathetic constellations or the frigidity of the satellite of their planet.

Did he then accept as an article of belief the theory of astrological influences upon sublunary disasters?

It seemed to him as possible of proof as of confutation and the nomenclature employed in its selenographical charts as attributable to verifiable intuition as to fallacious analogy: the lake of dreams, the sea of rains, the gulf of dews, the ocean of fecundity.

What special affinities appeared to him to exist between the moon and woman?