forward, cleaves the crowd and lurches towards the tramsiding. On the farther side under the railway bridge Bloom appears, flushed, panting, cramming bread and chocolate into a sidepocket. From Gillen’s hairdresser’s window a composite portrait shows him gallant Nelson’s image. A concave mirror at the side presents to him lovelorn longlost lugubru Booloohoom.

Grave Gladstone sees him level, Bloom for Bloom. He passes, struck by the stare of truculent Wellington, but in the convex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.

At Antonio Rabaiotti’s door Bloom halts, sweated under the bright arclamp. He disappears. In a moment he reappears and hurries on.)

BLOOM: Fish and taters. N. g. Ah!