of philosophical humour has left him. The martyrdom of the philosopher, his “sacrifice for the sake of truth,” forces into the light whatever of the agitator and actor lurks in him; and if one has hitherto contemplated him only with artistic curiosity, with regard to many a philosopher it is easy to understand the dangerous desire to see him also in his deterioration (deteriorated into a “martyr,” into a stage-and-tribune-bawler).

Only, that it is necessary with such a desire to be clear WHAT spectacle one will see in any case — merely a satyric play, merely an epilogue farce, merely the continued proof that the long, real tragedy IS AT AN END, supposing that every philosophy has been a long tragedy in its origin.

26. Every select man strives