edification at all (no system of good maxims); or to be improved by a tragedy, when he is only glad at his ennui being happily dispelled. So the Sublime must always have reference to the disposition, i.e. to the maxims which furnish to the intellectual [part] and to the Ideas of Reason a superiority over sensibility.

We need not fear that the feeling of the sublime will lose by so abstract a mode of presentation, — which is quite negative in respect of what is sensible, — for the Imagination, although it finds nothing beyond the sensible to which it can attach itself, yet feels itself unbounded by this removal of its limitations; and thus that very abstraction is a presentation of the Infinite, which can be nothing but a mere negative presentation, but which yet expands the soul.