(simultaneous and successive), and so only of the mass, as it were, of the pleasant sensation; and this can be made intelligible only by quantity. It has no reference to culture, but belongs to mere enjoyment. — On the other hand, the beautiful requires the representation of a certain quality of the Object, that can be made intelligible and reduced to concepts (although it is not so reduced in an aesthetical judgement); and it cultivates us, in that it teaches us to attend to the purposiveness in the feeling of pleasure. — The sublime consists merely in the relation by which the sensible in the representation of nature is judged available for a possible supersensible use. — The absolutely good, subjectively judged according to the feeling that it inspires (the Object of the